A Few Messages From Humphrey Bogart
As we all know, Humphrey Bogart was the man. He was rough, tough, and probably more awesome than anyone ever. Here’s what he has to say about various topics that all of us think about:
Humphrey Bogart on drinking:
Humphrey Bogart on the bicycle craze:
Humphrey Bogart on celebrity disguises:
Humphrey Bogart on modern-day films:
Humphrey Bogart on the male package:
P.S. Happy Australia Day to all my Australian readers!
New York City For The Classic Movie Fan
New York City. The Big Apple. The City That Never Sleeps. Destination of the world’s leaders and tourists from every corner of the planet. Home to the world’s freaks and geeks, the wealthiest of the wealthy, the most renowned celebrities, the dirt poor, and your humble blogger. I know I make a mighty big deal about being a New Yorker, but being from a glittery yet gritty place like this, how could I not? Everyone is aware of the magic of New York. Even Old Hollywood! Nowadays, New York is a prime filming destination (Who can forget when Sacha Baron Cohen paraded down Manhattan on a procession of camels for his film The Dictator?) and often my school has been used as a film location, the most notable being that inane series Gossip Girl (that day was a TOTAL NIGHTMARE…school was a circus because Leighton Meester and Ed Westwick were outside) and the Kevin Bacon series The Following (which happened at the same time as touring the Freshman class around the campus for their orientation. My school plans these things well, doesn’t it? Oh well, we got to see Kevin Bacon AND an exploding car!) You’d never think that Old Hollywood was up for location filming when it was cheaper and quicker to film on a soundstage. However, Hollywood is not the only place to travel to for your classic film fix, New York has its own classic film landmarks too! So if you don’t live here, don’t forget to come for your classic movie pilgrimage!
And may I recommend flying to New York at night? This might not be possible though, because I’m not sure how many hotels would allow night check-ins. But the aerial view of New York at night is just so beautiful, like sparkling golden jewels nestled in a case of black velvet:
Adam’s Rib (1949)
Summary: Married lawyers Adam (Spencer Tracy) and Amanda Bonner (Katharine Hepburn) find themselves on the opposite sides of the courtroom when Adam is prosecuting a case involving a woman who tried to murder her cheating husband and Amanda is her defense attorney.
The entire beginning sequence of the film, which is about the woman and her husband, was filmed in New York:

The location is Bowling Green Park, the first public park in New York, established in 1733.

The husband’s workplace was filmed in this building on 9 Broadway and Morris Street.
This is the scene in which the woman sees her husband going into his gal pal’s house. “Allan’s Steak Heaven” no longer exists, but it used to be located on East 52nd Street and Lexington Avenue.
Here’s an easy location: The Criminal Courts Building, 100 Centre Street

This location is apparently 104 Bayard Street and Baxter Street…but I kinda doubt that. In the screenshot from the film, you see the awning for Carmine’s Restaurant, a legendary eatery famous for its GIGANTIC Italian dishes (I’ve eaten there before, and trust me, one dish can comfortably feed you and a date, with some to spare). But Carmine’s is located in the Theater District, at 200 West 44th Street. Hmm…
All About Eve (1950)
Summary: Broadway newbie Eve Harrington (Anne Baxter) gets lucky when she befriends the great, legendary stage diva Margo Channing (Bette Davis). Through her friendship with her role model, she gets close to Channing’s other connections. Everyone thinks that Eve is an innocent, star-struck, obsessed fan, except for cynical theater critic Addison DeWitt (George Sanders) who sees Eve for what she truly is: a manipulative snake who uses Margo to make her way up in the notoriously merciless world of theater.
Here is the famous 21 Club, located on 21 West 52nd Street. The 21 Club is a restaurant and a former 1920s speakeasy (it was opened in 1922. Also notice how the doors are a little bit under the ground.) Although the joint was raided numerous times by the police, the owners of the speakeasy were never caught, since a system of levers was used to tip the shelves of the bar and throw all the liquor down a chute and into the sewers. Sounds like a scene straight from a Pre-Code! The 21 Club also had a secret wine cellar, accessed through a secret door in the brick walls and leading to the basement of the building next door, 19 West 52nd (!!!) This wine cellar became the storage spot for the private wine collections of numerous celebrities, including President Gerald Ford, JFK, Richard Nixon, Elizabeth Taylor, Ernest Hemingway, Frank Sinatra, Al Jolson, Sophia Loren, Gene Kelly, Gloria Swanson, Judy Garland, and Marilyn Monroe. Every president since FDR with the exception of George W. Bush (who was an asshole anyways) has dined there. Can you say New York legend?

Here’s the John Golden Theatre, located on 252 West 45th Street and 8th Avenue. This theater, built in 1927, was formerly the home of the Tony Award-winning play Avenue Q.
Bell, Book, and Candle (1951)
Summary: Gillian Holroyd (Kim Novak) is a modern-day witch (such people do exist…this is New York I’m talking about here!). When publisher Shep Henderson (Jimmy Stewart) walks into her building, she falls in love with him and decides to have him all to herself…especially since he’s engaged to her former enemy from her college days. So Gillian casts a spell on him. Will it work?

You can’t really tell because of the use of close-up shots, but this scene was in fact shot on top of the Flatiron Building, located on 175 5th Avenue. The Flatiron Building was built in 1902 and is considered to be the world’s first skyscraper (I know, I know, it’s impossible to think that this was actually once thought of as a skyscraper). At its time, it was the tallest building in New York City.
Breakfast At Tiffany’s (1961)
Summary: I don’t like the film or the book (don’t hate me) but much to my chagrin, Breakfast at Tiffany’s is considered a legendary New York story. Holly Golightly is a madcap prostitute who lives in a brownstone on Manhattan’s East Side. Her apartment is only half-furnished, her cat has no name, she constantly loses her keys, and she loves to visit Tiffany’s because it “feels like home.” (and NO, you can’t eat breakfast at Tiffany’s, it’s a jewelry store for goodness sake. Unless your idea of breakfast is a bunch of diamonds and semiprecious gems.) After spending a day in the city with Holly, her neighbor Paul Varjak falls in love with her. But Holly is determined to marry Jose, a millionaire from exotic South America.

It ain’t Breakfast at Tiffany’s without the Tiffany and Co. flagship store, located on 727 5th and 57th Street. In the film, Holly would spend every morning eating a pastry and drinking coffee while admiring Tiffany’s window displays. When filming this scene, hundreds of onlookers were watching Audrey, which made her nervous and caused her to constantly mess up. It wasn’t until a crew member was nearly electrocuted behind the camera that Hepburn was able to collect herself, forget about the crowd, and finish the scene. This location has been the flagship of Tiffany’s since 1940.

Holly’s apartment is located on 169 East 71st street and Lexington Avenue. Diehard Golightly fans, your future home is here.
This beautiful locale is the Conservatory Water in Central Park, which stretches from 72nd to 75th Street.

The second Central Park filming location was the Bandshell, which stretches from 66th to 72nd Streets.

This scene was filmed at the New York Public Library, located on 5th between 40th and 42nd Streets. It is one of the most iconic and largest libraries in the world and one of the leading research libraries.
This final film exterior was shot at Park Avenue and East 52nd Street.
Butterfield 8 (1960)
Summary: Fashion model Gloria Wandrous is embroiled in an illicit affair with married socialite Weston Liggett. However, Gloria’s desire for respectability causes her to reconsider her lifestyle.

The Liggetts’ apartment is located on 1050 East 5th Avenue and East 86th Street. It looks totally different today!
In the film, Liz Taylor tells the taxi to take her to 38 Horatio Street. However, the actual location is 15 Gay Street and Waverley Place.

In this scene, Liz takes a stroll down 5th Ave and pauses to look at the window display of the store on the corner of 5th and 55th. However, what is located there is now…the Disney Store. Something tells me Elizabeth Taylor wasn’t interested in the latest Mickey Mouse toys and Disney Princess dolls!
42nd Street (1933)
Summary: Big-time Broadway director Julian Marsh (Warner Baxter) is putting on a new show and has to deal with the torrential love life of its star, the stuck-up diva Dorothy Brock (Bebe Daniels). On the night before the premiere of the show, Dorothy breaks her ankle, and it’s up to unknown chorus girl Peggy Sawyer (Ruby Keeler) to take the lead. The show must go on!
Okay. I totally cheated here. 42nd Street wasn’t really filmed on 42nd Street. It was instead filmed in Warner Brothers Studio in Burbank, California. I passed through those same soundstages where Ruby Keeler tap-danced her way into the hearts of millions of Americans. But it’s fun to see the real location where the famous finale of the film is supposed to take place!
This is what West 42nd Street looks like today. Obviously, the 1933 recreation and the 2012 reality cannot be compared. When the film was made, West 42nd Street was a hotbed of crime, porn, and prostitution. It remained so until the early 90s when Giuliani cleaned it up (I was a little kid then…dear God, do I feel old!) However, there are still one or two adult film schowcases lying around there. Now 42nd Street is the center of the city: it’s in the heart of Times Square and the Theater District. It’s also Tourist Central…so GOOD LUCK walking through there. I have to bite my tongue to prevent the unleashing of the Potty Mouth on the Midwesterners wearing Bermuda shorts and fanny packs and taking VIDEOS of the Empire State Building. Because apparently the Empire State Building moves. People like that don’t last a day in a city like this. End tourist rant.
The Godfather (1972)
Summary: Vito Corleone (Marlon Brando) is the aging Don of the Corleone Mafia Family, one of the five greatest Mafia families of New York. As soon as his youngest son, Michael (Al Pacino) returns home from World War II, the ten year peace is broken when a drug dealer named Virgil Sollozzo asks the Corleones for protection of his drug ring in exchange for money and a share in his drug dealership. However, the Don is morally against drugs and refuses. This prompts Sollozzo to hire hitmen to attempt to assassinate the Don. While the Don recovers, it is up to his sons Santino, Frederico, and Michael to lead the Corleone Family in one of the most violent Mafia wars in New York history.

Best and Co. was a department store that used to stand on 5th Avenue between East 51st and 52nd streets.
Who doesn’t know Radio City Music Hall? Built in 1929 by John D. Rockefeller, Jr., this legendary venue has remained largely unchanged since. Renowned interior designer Donald Deskey (ever heard the term “Deskey Deco”? He’s why) designed the elegant, razzle-dazzle interiors which still remain today. The theater’s gold curtain is also the largest in the world. Radio City has also premiered some of the greatest classic films, including the original “King Kong,” “It Happened One Night,” “National Velvet,” “Breakfast at Tiffany’s,” “Mame,” and “To Kill A Mockingbird” (whose star, Gregory Peck, was a former usher at Radio City). Nowadays, Radio City is one of New York’s most iconic Christmas venues. Every year it stages Christmas Spectacular, featuring the New York Rockettes, who are celebrating their 85th anniversary this year.

This is of course, St. Patrick’s Cathedral, located on 5th Avenue between 50th and 51st streets. A note here: the cathedral is undergoing major renovations, so its famous facade is temporarily hidden by scaffolding. St. Patrick’s is the seat of the archbishop of the Roman Catholic diocese of New York.
How To Marry A Millionaire (1953)
Summary: Three models, Shatze (Lauren Bacall), Pola (Marilyn Monroe), and Loco (Betty Grable) hatch a plan: tired of cheap, poor boys, each one of them plans to trap and marry a millionaire. However, it is difficult to tell the big money apart from the hucksters, and in the end, will the money even be worth it?

Pola’s apartment is located on 36 Sutton Place and East 55th Street. Some of Manhattan’s wealthiest have lived in this neighborhood, including Freddie Mercury (one of the greatest loves of my life), Bill Blass, Joan Crawford (another love of my life), Marilyn herself, and her then-hubby Arthur Miller.
Here, my friends, is the George Washington Bridge. One of the world’s busiest bridges, the George Washington spans the Hudson to connect Manhattan to New Jersey.
The Hucksters (1947)
Summary: Fresh from the war, Victor Norman (Clark Gable) is looking for a job in the competitive world of advertising. His first task is to get widow Kay Dorrance (Deborah Kerr) to endorse Beautee Soap. He does so and gets the job, but things don’t go smoothly when Vic finds himself attracted to Kay instead of his current girlfriend, the young Jean Ogilvie (Ava Gardner).

The exteriors that begin the film were shot at Park Avenue and East 53rd Street, near where the MetLife Building now stands today.
The Jazz Singer (1927)
Summary: Cantor Rabinowitz (Warner Oland) is upset because his son Jakie (Al Jolson) would rather become a jazz/ragtime musician than uphold the family tradition of five generations and take on the role of cantor in his neighborhood’s synagogue. Relations between father and son get so bad that Jakie leaves home, changes his name to Jack Robin, and gets a big opportunity through stage actress Mary Dale. However, Jakie constantly remembers his family and is torn between his career as a jazz singer and his family’s wishes for him to become a cantor.

This street scene was shot at Orchard Street and Hester Street. Still not a ritzy-looking place, even today.
King Kong (1933)
Summary: Carl Denham (Robert Armstrong) is finishing up his film starring leading lady Ann Darrow (Fay Wray) and has found the perfect location: the mysterious, eerie Skull Island. The crew does not know what they will encounter here, but they soon find out that this island is the home of the giant menacing gorilla King Kong. Kong kidnaps Ann, and it is up to the crew to rescue her.
The most iconic scene of the movie and one of the most iconic scenes in film history was shot at the Empire State Building, located at 350 5th Avenue and West 34th Street. The scene I’m talking about is, of course, the one in which Kong climbs the Empire State, Fay Wray in his hands, and swats away at the fighter planes. The establishing shots of the fighter planes were shot in my great homeland Brooklyn (at the U.S. Naval Airbases). The scenic NYC views in the film were shot from the top of the Empire State, and the scenes involving the monkey were shot on replicas of the building in Hollywood (the filmmakers secured the original architectural plans of the Empire State in order to create a convincing recreation for the movie). This 102-story Art Deco landmark was built only two years earlier than the film, in 1931. Here’s a sweet little secret from someone who was walked right past this building numerous times: if you look closely, the windowpanes of the Empire State are red!
Miracle on 34th Street (1947)
Summary: A heartwarming classic New York story. At the Macy’s Thanksgiving Day Parade, an old man discovers that the actor portraying Santa is drunk. Special events coordinator Doris Walker (Maureen O’Hara) persuades the old man to take his place and becomes a sensation, quickly gaining the post of in-store Santa at Macy’s. Doris then finds out that the man calls himself Kris Kringle and truly thinks of himself as Santa Claus, which makes her uncomfortable since she does not believe in fantasy. However, the people also believe there is something special about Kris. But unfortunately, Kris is soon held at Bellevue and all seems lost until his friend Fred Gaily promises to release him. A hearing is then set up in which Gaily argues that Kris is in fact Santa Claus. Will he win?
This scene was shot at East 61st Street and Madison Avenue.
Parade scenes were filmed down Central Park West between 76th and 77th Streets.

And of course, parade scenes were filmed at Macy’s, located at 34th street between 6th and 7th avenues, Herald Square. Ah, Macy’s. I’ve got a love/hate relationship with that place. The world-famous flagship location has been standing in Herald Square since 1901. A tip for all of you who are planning a trip to New York and have Macy’s on your agenda: the store has ten floors. It is a behemoth, a monster that saps up all your strength and energy and sanity after awhile. So make sure to give Macy’s an entire day for itself. It is also always unbelievably crowded. And the shoe department is a total nightmare. But if you are an international visitor, go to the Information Desk at the Visitor’s Center on the second floor for a discount card good for 11% off your purchases (yay!) What I like about Macy’s is that it has a large range of products for people of all economic standings (it’s the only place I can think of where I can buy a pair of new Louis Vuitton flats and a Gucci purse and a pair of dirt-cheap jeans from the juniors section) and some of the store still has the old wooden escalators from the early 1900s (although with the recent renovations happening in the store, I don’t know what will become of these relics).
The court scenes of the film were shot at the New York County Supreme Court, located at 60 Centre Street in the Financial District.
North by Northwest (1959)
Summary: New York advertising exec Roger O. Thornhill (Cary Grant) is kidnapped by a gang of spies led by Philip Vandamm (James Mason) because they mistakenly believe that Thornhill is CIA Agent George Kaplan. Thornhill is able to escape Vandamm’s clutches, but he now must find Kaplan to clear himself of a murder that is believed he committed. Thornhill then meets the beautiful femme fatale Eve Kendall (Eva Marie Saint)…but is Eve really trying to help Roger?

The scenes of Cary Grant’s character exiting his workplace were filmed at the CIT Financial Office at 650 Madison Avenue. You know, I’ve walked past this building many, many times, never knowing that Cary Grant did so too.

Thornhill then walks into the world-famous Plaza Hotel (750 5th Avenue and Central Park South) this 20-story palace of luxury will be featured greatly in a one of my favorite films, which will be coming up soon on this list.

Sensing that he is being followed, Thornhill then goes to the United Nations Headquarters on 1st Avenue between 42nd and 48th Streets. Nowadays, this is where Iranian President Mahmoud Ahmedinajad (dunno if I spelled that right) comes to perform his crazy antics every year.

After the fiasco at the UN, Thornhill then calls his mother and buys a train ticket to Chicago at Grand Central Terminal (89 East 42nd Street).
Sabrina (1954)
Summary: Linus (Humphrey Bogart) and David (William Holden) are wealthy brothers, while Linus is all work, David is all play. Sabrina Fairchild (Audrey Hepburn) is the shy, awkward daughter of the family chauffeur and is in love with David “who hardly knows she exists.” Sabrina then goes to Paris for two years and comes back an elegant, beautiful, society women who not only captures the heart of David, but Linus’ as well.

The exterior of the family’s offices was filmed at 30 Broad Street and Wall Street.
The Seven-Year Itch (1955)
Summary: Richard Sherman (Tom Ewell) is the exec of a publishing firm and your regular average Joe. He sends his wife and son for a vacation in the country. Always a faithful family man, Sherman often dreams of being successful with women…and temptation strikes when a beautiful sexy blonde (Marilyn Monroe) moves into the apartment upstairs.

Scenes of the Sherman family boarding the train were filmed at Penn Station (7th Avenue and West 31st Street).

Sherman and The Girl’s apartment building was located on 164 East 61st Street and Lexington Avenue…which now seems to be the site of a medical office…how thrilling…

Arguably THE most iconic scene in cinema history was filmed right here in New York: the scene in which an oncoming subway train rushes past, causing Monroe’s skirts to billow upwards as she stands above the subway grating. This legendary grating is located on 52nd Street and Lexington Avenue. The scene was shot on September 15, 1954 at 1 in the morning. However, portions of this scene had to be re-shot in Hollywood because onlookers whistled and cheered Monroe on as her skirts flew up, causing her to forget her lines.
Strangers on a Train (1951)
Summary: One of my favorite, and most underrated, Hitchcock films. Creepy Bruno Antony (Robert Walker) thinks he has hatched the plan for the perfect murder when he meets pro tennis player Guy Haines (Farley Granger) on a train. If Haines kills Antony’s hated father for him, he will kill Haines’ slut of a wife, freeing him to marry his elegant socialite girlfriend, Ann Morton (Ruth Roman). Guy laughs off the plan, but Bruno is serious and murders Guy’s wife. When Guy chickens out of his end of the bargain, Bruno threatens him by telling him that he will plant evidence at the scene of the crime, framing Guy for the murder. Not only is the police suspecting Guy, his career is tainted, his relationship with Ann is strained, and he is being stalked and blackmailed by a psycho. Will he go through with the plan?
Once again, we see Penn Station in a classic film. Penn Station is one of the busiest rail stations in the world. However, the original Penn Station, built in 1910 was much grander and larger, a Beaux-Arts gem of New York City. However, in 1963, orders were given to demolish the head-house and train shed of Penn Station to make way for an office complex and expansions to Madison Square Garden.
That Touch of Mink (1962)
Summary:Sweet, conservative little country girl Cathy Timberlake (Doris Day) meets the man of her dreams, wealthy city man Philip Shayne (Cary Grant) when his Rolls-Royce splashes her with mud while on her way to a job interview. Philip is in love with Cathy as well, but there is one problem: he is not the marrying man, while marriage is the only thing she has on her mind.

This glorious scene of topless Cary Grant was filmed at the new York Athletic Club (180 Central Park South and 7th Avenue). It used to have a red awning. Today it is green and has the initials of the Athletic Club instead of the full name like it used to have.
Week-End at the Waldorf (1945)
Summary: Pretty much a happier, light-hearted remake of 1932′s Grand Hotel but taking place in the swanky Waldorf-Astoria Hotel. It stars Lana Turner in the Joan Crawford role, Edward Arnold in the Wallace Beery role, and Walter Pigeon in the John Barrymore role. The biggest plot stretch from the original comes with Van Johnson as a war hero about to undergo major surgery, and who wants to enjoy what would perhaps be the last days of his life. There is also an appearance by humorist Robert Benchley and a cameo appearance by Xavier Cugat as the Waldorf-Astoria’s bandleader.
The Waldorf-Astoria Hotel is located on 301 Park Avenue between East 49th and 50th Streets. This 47-story luxury dream of a hotel was built in 1931 and is a world-famous Art Deco landmark. It is also the first hotel in the world to offer room service, forever changing the face of the hotel industry. The hotel houses three American and European restaurants, a beauty parlor, its own railway station as part of Grand Central Terminal, a collection of boutiques, and an elevator large enough to fit FDR’s automobile (!!!)
Home Alone 2: Lost In New York (1992)
Summary: Okay, okay, this isn’t a classic film in the true definition of the term. But I consider it a classic because EVERYONE adores it! Ten year-old Kevin McCallister (Macaulay Culkin) and his unbelievably large family decide to spend Christmas in Florida (ew…) However, our young hero loses his family and accidentally boards a plane to New York City. Kevin then discovers the power of the credit card, checks into the Plaza Hotel, and leads a life of luxury (i.e. being driven in a limo to the toy store while eating pizza and having banana splits delivered to your hotel suite every day). However, his dream life is ruined when he runs into his old enemies, Harry and Marv (the hilarious Joe Pesci and Daniel Stern). Kevin hatches a plan to put Harry and Marv behind bars once again when he finds out of their plan to rob a toy store on Christmas Eve. Because no one messes with kids on Christmas, bitches.

In this scene, Kevin rides in a taxi along the Queensboro Bridge, which was built in 1909 and spans the East River, connecting the borough of Queens to Manhattan.

Once again, Radio City. Ain’t writing that story again!

The Empire Diner, still looking exactly the same twenty years later, on 210 10th Avenue and West 22nd Street.

Here Kevin visits Battery Park, where he uses one of the many binoculars to get a closer look at the Statue of Liberty. It’s a warmer, dryer option than taking the ferry to Liberty Island (I once made the unfortunate mistake of doing this in a pink silk summer dress…Worst. Idea. Ever.)

Here Kevin hangs by the Gapstow Bridge in Central Park. This bridge, a replica of the Ponte di San Francesco in San Remo, Italy, offers a view of the Plaza Hotel.

And here’s the Bethesda Fountain, located in the middle of Central Park.

And of course, Kevin checks into New York’s finest hotel, and one of the finest in the world, The Plaza Hotel. This film is like one long, funny Plaza Hotel commercial.

Harry and Marv ice skate at Wollman Rink, located at Central Park between East 62nd and 63rd Streets.

One of the most heartwarming scenes of the film, when Kevin wishes for his mother to come find him, was filmed at Rockefeller Center (5th Avenue between 49th and 50th Streets). Since 1931, the Rockefeller Center Christmas Tree has lit up the holidays each December for native New Yorkers and tourists alike. It has become a Christmas icon and has brought holiday cheer to millions. Indeed, I cannot imagine Christmas without this tree. The first Rockefeller Center Christmas tree was a 20-foot Balsam fir. Today, the tree is a Norwegian spruce that can be anywhere from 75 to 90 feet tall.
Phew! What a post! I hope you enjoyed and learned something new, and if you are a classic movie fan who lives in or is planning to visit New York, I hope this will be a help to you! If I’ve forgotten anything, feel free to post in the comments
My Dream Man
Let’s start off this post this way: I’m a nineteen year-old girl. My best friend is also a nineteen year-old girl (we’re only born nine days apart, how awesome is that?). What else do nineteen year-old best friends do? First and foremost we gossip. A lot. About friends, family, people we hate, boys we like, and boys who like us. We also shop. Just two days ago, we went to the Columbus Circle Mall, where I spent $50 on new makeup and $100 on a Father’s Day gift for my dad (HE BETTER BE HAPPY WITH IT). And lastly, we talk about our dream man. The man that is perfect in our eyes, but probably doesn’t exist or is so unattainable and impossible to get. She lusts after the likes of Michael Fassbender and Gerard Butler while I lust after the likes of Clark Gable, Gary Cooper, Cary Grant, and Errol Flynn. I don’t have a classic movie buddy. Sadly, I’ve never met anyone younger than 80 who loves the classics, so whenever I discuss my dream man with my friend, it’s a very…one-sided conversation. So, I’ll share my dream man with you guys, people who actually understand what I’ll be talking about!
- I love light-colored eyes in a man, blue eyes being my particular favorite. My dream man would have beautiful blue eyes like Gabe or Coop. They would be bright and hypnotizing…just look at Coop’s!!!
- I am also incredibly attracted by a man’s smile, especially when he has a wide, genuine, dimpled smile that shows his nice teeth (I also insist on nice teeth, white and straight. No crooked teeth, yellowed teeth, or gaps. Bad teeth scare me). Franchot Tone has a gorgeous smile when he shows his teeth. Also Clark Gable (his dimples just make me swoon) and Errol Flynn have great smiles that make my heart melt.
- I love dark features (with the exception of eyes, as I mentioned above). I love dark hair, dark lashes and eyebrows, and skin that can tan. I wouldn’t mind myself an Italian hunk like Rudy Valentino and I ESPECIALLY wouldn’t mind Cary Grant!
- I love foreign accents. To me, there is something so attractive about a man from another place. He can teach me a lot about his place of origin, from the mannerisms to the slang and cuss words. I love traveling and I’m fascinated by other places, and what better way to learn than from a wonderful foreign man while being hypnotized by his exotic accent? Rudy Valentino had a sexy Italian accent, Cary Grant had his distinctive mid-Atlantic accent, and Desi Arnaz had a cute Spanish accent (which Lucille Ball so lovingly imitated in I Love Lucy).
- I love a man with grace and poise. No klutzes for moi! I especially love a man who can show off some fancy footwork. A dancer is always fun, passionate, and exciting, like Fred Astaire or that gorgeous hunk named Gene Kelly! Donald O’Connor also gets me weak in the knees, even though he’s blond and I don’t usually go for blonds (actually, one of my exes was blond. He had green eyes and was drop-dead hilarious so that made up for it. There are exceptions to every rule!).
- I ADORE a funny man! Especially a funny man who doesn’t constantly brag about how funny he is. A man who is NATURALLY funny! What girl doesn’t want a man who can cheer her up on a bad day, is well-liked for his great personality, and can charm her, her friends, and her family off their feet? Hence why I am attracted to men who aren’t known for good looks, like Chaplin, Keaton, and the Marx Brothers (yes, to me, each one of them is cute in their own way!). A funny man is definitely on the top of my list of good qualities in a man!
- I love a man who is honest. This is more important to me than anything else. A liar=a douchebag. And trust me, I’ve dealt with so many liars as of late, and it is not pretty! I tend to share a lot of myself with someone I love, and I would like for them to honestly share themselves with me too. I don’t judge anyone, and as long as a man is honest, he holds my love and respect (and my respect doesn’t come easily). I’ve been told that I naturally never trust, and well, it’s because I’ve been lied to a lot, and for no good reason. At least when the classic movie actors were having affairs, they were dead honest about it! And sometimes, when talking about themselves, they would probably give a little too much information! I adore that. Clark Gable once said a very beautiful quote about Carole Lombard: “You can trust that little screwball with your life or your hopes or your weaknesses, and she wouldn’t even know how to think about letting you down.” Someday, I want a man who can be that honest with me. Honesty is sexy.
- Nothing gets me like a man with great wit! Intelligence and humor rolled into one? Excellent! My heart beats like a drum when I meet a man who has a way with words, who shares my sarcasm, and who owns an acid tongue. Men like William Powell and Laurence Olivier can sure make me swoon!
- What girl doesn’t love a man with a naughty side? It’s exciting to have someone who’s a bit of a bad boy with you (and only you!). Men like Errol Flynn are practically irresistible.
- I like to draw, so having a man who is also a fellow artist would be just divine. It doesn’t even have to be fine art, but also music or of course, acting. Gary Cooper was especially a gifted fine artist (he originally came to Hollywood to become an illustrator!) and wouldn’t it be just so romantic to sit for hours together and draw pictures of whatever captures our fancies? Coop was pretty damn good, and I will be featuring some of his works in a future post!
- I love a man with a manly phyisique. Clark Gable, to me, has the perfect male body. He’s burly and tough, not too thin, and not fat either. He’s all big muscle, and he’s also tall (6’1″. Height is important for a tall 5’5″ girl like me). Cary and Errol Flynn were also around the same height, but Coop beats them all at 6’3″. However, Coop’s body is a bit too thin for my taste. I want a man who is strong, can hold me safe in his arms, and who wouldn’t blow away in a strong wind! Therefore Gabe has the perfect body for me.
- I love me an outdoorsman. I love to run through the grass, jump in the surf, climb trees, and play with animals, so a man who loves these things is quite important to me! Nobody fits the bill quite like Clark Gable.
- I also really really really REALLY want a man who loves classic movies just as much as I do! Actually, I don’t want one. I NEED ONE. Sadly, I’ve never met a boy who really loves classic movies. But when I do, I know he’s a keeper, because that means they have good taste, which is a rare thing these days! I want to be with someone who can laugh at Chaplin and Keaton with me, sit on the edge of the seat while watching a Hitchcock movie with me, cry during GWTW with me, and discuss every film we watch together. Oh, and of course, it would be nice if he put up with me when I swoon over all the handsome actors! When I find that special man, I think it will be the beginning of a beautiful friendship
- Last, but definitely not least, I love men who are confident in their masculinity. He exudes every masculine characteristic without even trying. Because it’s an innate quality that he constantly exudes. A real man doesn’t need to publicly speak about his masculinity. Have you ever seen Gabe or Coop or Cary or Errol or Rudy Valentino or William Powell talking about and bragging about what it means to be a man? Do you ever see a real man lording it over everyone else about how “masculine” he is compared to others? Of course not? A REAL man doesn’t have to constantly talk about his masculinity, he’s too busy SHOWING IT with his actions! And this isn’t something that only comes from me. Every single female I know thinks this and agrees with this. And every classic movie actor is a real man <3
So basically, my dream man would know how to have fun, would enjoy a day out or a day cuddling at home, respects me like I respect him, is always honest with me, is smart, funny, and artistic. He is strong, kind, caring, and confident yet humble. The relationship that I always look up to and wish to have is Gable and Lombard’s. It was truly beautiful and reading about it never fails to bring a tear of joy and sadness to my eyes. Both were so proud and happy to love each other. I’ve yet to find the “Pa” to my “Ma” but I will someday!
Three On A Match (1932)
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I’ve been wanting to see this Pre-Code gem since February, when my best friend recommended it to me. Ever since, I’ve been relentlessly looking for it on the internet and waiting for it to play on TCM. I finally got the chance last night, when it was shown in honor of actress Ann Dvorak, whose films were playing all day yesterday as part of Summer Under The Stars. I have to say, it was amazing, and I’m glad I recorded it to my tv so I can watch it whenever I please.
This film is about three childhood friends who meet again by chance. Mary (Joan Blondell) has done some time in a reformatory, but comes out with a new outlook and stability on life. Ruth (Bette Davis) works as a stenographer. And Vivian (Ann Dvorak) is wealthy, married to a successful husband (Warren William), and has an adorable son. Her life seems so perfect, and the other two women secretly envy her.

When they meet, they light their cigarettes with one match. They then discuss that such an action is unlucky, and that Vivian would be the first to die, since she was the last to light her cigarette. Vivian then talks about how dissatisfied and empty her life is, and brings it up to her husband. He suggests that she go on a cruise to clear her mind, and she takes up his suggestion, taking her son with her. On the ship, Vivian meets gambler/gangster Michael Loftus. She then runs away with him, her son in tow. She soon becomes addicted to alcohol and cocaine, parties until the wee hours, and becomes a negligent mother to her son.
Concerned about Vivian’s behavior towards her son, Mary tells Vivian’s husband Robert where to find the boy. He divorces Vivian and marries Mary, giving his son a stable life once more. Meanwhile, Vivian’s money runs out and Michael owes $2000 to a group of gangsters (one of which is a young Humphrey Bogart). He has to pay up or else. So he threatens Robert to give him money or else he would reveal Mary’s criminal past. But that doesn’t work, so he kidnaps Robert’s son. In an act of atonement, Vivian scrawls where her son is in lipstick on her nightgown and jumps out of the window, saving her son’s life at the cost of her own and making the superstition about three on a match true.
This film is an essential Pre-Code, and is everything you’d want a pre-Code to be. It is rampant with sex (running away with a man behind the husband’s back), drugs (Vivian becomes addicted to cocaine), alcohol, and of course, gangster activity (something most Warner Bros. films were famous for). It’s about a good girl gone bad, a girl who loses it all to a life of debauchery. It’s seedy. It’s oh. So. GOOD.
Warner Bros. Pre-Codes are interesting for that very reason. They threw in the realism and dirt and grit when other studios like MGM loved class, cleanliness, and perfection. The three leads all came from different walks of life: Blondell’s character cut class to smoke with boys, went to jail, and became a showgirl (no other occupation would seem so fitting for the spunky, feisty, city girl Blondell), Davis’ character was the smart one, always good and studious (Davis’ talent seems a bit wasted here…she has nothing much to do), and Dvorak’s character was popular and beautiful, destined for the good life (we all know what happens later in the film, due to a cruel twist of fate).

Beautiful Dvorak…and not-so-beautiful Dvorak. Looks like two different people

If given the chance, Dvorak’s career would’ve rivaled that of costar Bette Davis’.
As I stated before, Davis was unfortunately given a weak character. However, kudos to Blondell and Dvorak, whom the film places more of a focus on. Blondell is the feisty, snappy girl we all know and love. But Dvorak was excellent as the spoiled-wife-turned-druggie. That transformation alone is enough to show how versatile an actress Dvorak was. Seeing the beautiful actress in couture gowns, perfectly coiffed hair, and immaculate makeup and then becoming a sickly, dirty, poor urchin is fantastic to watch. It’s a darn shame that Dvorak’s career was cut short due to salary conflicts, and that she is so forgotten today. She was so talented.

A young Humphrey Bogart, and the most adorable movie kid ever!
Warren William was also a delight as a slick, urbane, successful man of the world, a role he played often in many films. A fun one to watch was Humphrey Bogart. His role may have been small, but boy was it powerful. He was fantastically sinister and nasty. And I LOVED the little boy who played the son. He was so cute, and quite a good actor!
CREEEEEEPPPYYYY….
The end was excellent: heart stopping, chilling, something that would make you shout “What’s going to happen next?” And the scene in which Dvorak’s character jumps out of the window is so scary and graphic, even for today’s standards. Nothing in this film is softened up or watered down. It may have been short (it doesn’t even clock in at an hour and ten minutes) but it is so fast-paced and there was never a dull moment.
Now here’s a creepy tidbit of trivia: the superstition came true for Dvorak in real life. Not only was her character the first to die in the film, but she was the first to die from amongst the three leads, in 1979, followed by Blondell in the same year, then Davis a decade later.
I’m SO glad my friend told me about this little-known gem. It’s definitely a favorite.














































































Here’s Marion Davies using an odd contraption called the Bentograph. It was supposed analyze the human character. Director Monte Bell gives Marion part of her analysis: “Full forehead; benevolent, creative, learned and happiest when in company of the intellectual. Nose; pretentious, ambitious, sensitive, aims high and demands social and artistic recognition”.































































































































































































































